The latest monthly symposium organised at the central office of Sanskar Bharati unfolded as a rich blend of art, literature, and culture, offering both intellectual depth and aesthetic delight.
The event brought together scholars, musicians, dramatists, and students to reflect on the role of dramatic literature in confronting social realities.
The programme began on a soulful note with a melodious performance by young vocalist Suhani Kaushik and flute player Sumit Sharma.
Their spiritual renditions filled the space with devotion and grace, transporting the audience to a realm of artistic serenity.
Scholarly Reflections on Dramatic Writing
Following the musical opening, the main session commenced, featuring insightful addresses by Professor Rajneesh Kumar Mishra of Jawaharlal Nehru University and Professor Chandan Chaube of Delhi University.
The theme of the discussion was ‘Dramatic Writing from a Social Perspective: Possibilities and Challenges’.
Prof Rajneesh emphasised that no art is meaningful unless it resonates with the people.
He noted that while drama has long reflected social truths, society often reacts uncomfortably to portrayals that mirror its own complexities. He argued that dramatic literature must remain rooted in the collective conscience.
Prof Chandan Chaube spoke about the significant role of performing arts in spreading devotional sentiment, explaining that drama has historically functioned as a vehicle for cultural transmission.
He stressed that playwriting is a profound responsibility, as playwrights participate in constructing the identities of historical and cultural figures.
Both talks sparked thoughtful reflection among the audience, encouraging deeper engagement with the intersection of theatre, society, and responsibility.
A Forum for Culture and Dialogue
The symposium was expertly moderated by Raj Upadhyay, Stage Arts Coordinator for Sanskar Bharati’s Delhi unit. He guided the session with clarity and poise, facilitating vibrant discussion.
The gathering reaffirmed Sanskar Bharati’s commitment to nurturing cultural discourse alongside artistic performance.
As a platform, the event highlighted how art, literature, and society are intrinsically connected, each shaping the nation’s cultural identity.
Notable attendees included Mohan Veena maestro Ajay Kumar, Dr Prashant Upadhyay, General Secretary of Sanskar Bharati (Delhi), several eminent professors from Delhi University, and a large number of research scholars and students.
Behind the scenes, the success of the symposium owed much to the dedicated efforts of organisers, including Bharti Dang, Kuldeep Sharma (Programme Coordinator), Shruti Sinha (Symposium Convenor) and key volunteers like Garima Rani, Sneha Mukherjee, Harshit Goyal, Saurabh Tripathi, Vijender Kumar, Sushank, Brijesh, and co-convener Vishwadeep, who skillfully managed stage proceedings.
The event once again reaffirmed that art is not only for expression but also for reflection—serving as a mirror to society and a means to inspire cultural and intellectual renewal.
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