The restored version of Sholay, the 1975 cult classic starring Amitabh Bachchan and Dharmendra, will be screened at the Indian Film Festival of Sydney (IFFS) in October.
The festival, set to run from 9 to 11 October, will showcase Indian cinema across three days of screenings, talks, and celebrations.
The restored Sholay recently had its world premiere at the Toronto International Film Festival (TIFF) earlier this month.
Its Sydney screening marks another significant milestone in the revival of one of Indian cinema’s most celebrated works.
The restoration, carried out in 4K by the Film Heritage Foundation in collaboration with Sippy Films, was a painstaking process that took several years.
Archivists tracked down a rare colour reversal print in London, recovered original camera negatives, and unearthed long-lost deleted scenes from a Mumbai warehouse.
Most notably, the restored version presents the original ending conceived by director Ramesh Sippy, in which Thakur finally avenges his family by killing Gabbar Singh.
This alternate conclusion, long absent from public screenings, restores the director’s first vision for the story.
Festival Director Mitu Bhowmick Lange expressed her delight at hosting the film, “Presenting the restored Sholay in Sydney is a moment of immense pride for us. This isn’t just the revival of a classic; it’s the revival of a piece of our collective cultural history. The fact that audiences will now experience the film with the original ending makes it even more significant.”
She added that showcasing the landmark restoration alongside both new and timeless stories embodies the festival’s spirit of celebrating Indian cinema in all its dimensions.
Directed by Ramesh Sippy, Sholay tells the tale of two criminals, Veeru (Dharmendra) and Jai (Amitabh Bachchan), hired by a retired police officer to capture the notorious dacoit Gabbar Singh.
The film also stars Hema Malini and Jaya Bhaduri as Basanti and Radha, respectively.
Shot in the rocky landscapes of Ramanagara in Karnataka over two and a half years, the film initially struggled at the box office but soon gained momentum through strong word of mouth.
It went on to break records for continuous showings, running for over five years at Mumbai’s Minerva Theatre.
Overseas, the film also found acclaim in the Soviet Union, further cementing its reputation.
At the time, Sholay became the highest-grossing Indian film ever and held the record until the release of Hum Aapke Hain Koun..!. Adjusted for inflation, it remains among the most successful Indian films in history.
Often hailed as one of the greatest and most influential films in Indian cinema, Sholay continues to inspire filmmakers and audiences alike.
Its re-release in 2014 in a 3D format rekindled nostalgia, and the new 4K restoration promises to offer an even more immersive experience.
As the film prepares to take centre stage at IFFS in Sydney, audiences will not only revisit a cinematic milestone but also witness the preservation of cultural heritage for generations to come.
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